Tomb Raider II: Oil Rig

Previously on Tomb Raider II, Lara got knocked out by a goon and then locked up in a room. I guess the cultists don’t know that you should never leave Lara alone in a room that conveniently also has the switch to open the room, ha ha.

Well, they’ll learn.

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She’s so pretty. ❤

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Some pretty pictures of the sunset.

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These always end up looking so small. But anyhow, I got a picture of Lara’s running too. Her running looks so cute, to be honest.

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The man Lara checks up on is Brother Chen. He belongs to a monastery that guards the dagger of Xian. He apparently journeyed outside of Tibet to stop Bartoli from getting the key to the dagger and instead got captured. He thinks Lara is his guide to the next life, ha ha.

CHEN: You have come for me. I saw bright light surround me.

LARA: That was gunfire. I think it was them who got taken away by it.

She’s such a doofus. ❤

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She notices some wetsuits on the wall and starts changing right there. The monk doesn’t even stutter as he recites his tale and dodges a shoe that Lara tosses at his head.

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Sadly, Chen doesn’t make it since Bartoli shoots him. Notice his ominous red eyes under the sunglasses, ha ha.

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Lara runs off and hitches a ride on Bartoli’s submarine to the bottom of the sea. Evidently, all you need is a wetsuit.

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And hold your nose, ha ha.

The man steering the submarine gets startled by a shark and crashes the submarine.

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And this is where you start the new level. It’s one of my favourite levels but I’ll leave it for next time.

Tomb Raider II: Opera House

I managed to get sick (thanks to my sister, I guess). So I decided to do another low-effort Tomb Raider post because these are my comfort games, ha ha. ❤ This one is going to have more pictures than usual. Hopefully, I’ll have the energy to post them all.

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Last time we were at Bartoli’s hideout — and now we’re still at Bartoli’s hideout but in the opera house section. Here’s a poster of Bartoli Sr, the current cult leader’s dad.

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All. the. glass.

Don’t blame me, it’s a video game compulsion. *looks away shiftily*

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I find it so funny that the place’s rooftop is in this condition but the wood panelling on the walls looks good as new, ha ha.

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Some pretty pictures of the opera house.

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Some pictures of Lara’s crazy athleticism. ❤

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You can tell you’re dealing with a real cult when they have they have their own symbol and banner.

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I just thought this one looked cool.

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Aw, it looks so small. But here’s a pretty picture of Venice’s skyline anyway.

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So pretty. ❤

Lara sneaking around in the cult’s aeroplane’s cargo hold, ha ha.

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Hair dynamics!

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Other pretty pictures of Lara. ❤

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Not the smartest move to be climbing boxes when the plane is either experiencing turbulence or going sideways because the cult leader smacked his minion who is steering, ha ha. She has these moments when she’s such a doofus. ❤

(Also, yes. She fell, ha ha.)

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And then she got knocked out because apparently there has to be at least one level where Lara starts off without her gear.

Also, my fever is seemingly over 38° Celcius (no idea what this is in Fahrenheit), and everything aches and I’m cold. So I’m going to go to bed.

Tomb Raider II: Bartoli’s Hideout

I’ve been up for so long that I kind of feel ill so here’s a low-effort Tomb Raider post again. ❤ I also have no clever title for this post. But I do have screenshots!

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So last time, we were in Venice. We’re still in Venice but we’ve made it to the cult’s hideout. Can I call it a cult if it’s just a bunch of minions and thugs following one insane man who wants immortality? I mean, it’s not like the minions or thugs get anything much out of it?

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There are some pretty rooms, though. Notice the blue sky? By the time Lara makes it up to the rooftop before the next level, the sun has started to set. Even though the graphics are old, there’s a lovely attention to detail. ❤

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I guess this is a bit too dark, though?

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Most of these rooms are totally bare so that’s a bit sad. The details and colours are nice, however.

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DEATH TO ALL THE GLASS.

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ALL. THE. GLASS.

Like, I don’t even know what to say. It’s like a compulsion to shoot everything that’s shootable.

Which was really annoying in Demon’s Souls actually because there were all these breakable boxes and you didn’t even get anything out of them, but I still compulsively kept breaking them as if the next box was going to be different.

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Do not try this at home.

She’s standing on a chandelier.

I think I tried to jump on one of those floating balloons or something in Dishonored but, unlike in Tomb Raider, such video game feats didn’t work, ha ha. ❤

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Ignore the dead bodies. They were, um, there already. *looks away shiftily*

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You know, whenever Lara picks up something in this game she does this little “aha” that’s just about the cutest thing ever. ❤

Also, while the graphics have demonstrably improved from the first game but not that much, it’s obvious that Core Design put most of their graphical advancements into the stuff that really mattered: like Lara’s hair dynamics. And boobs.

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Casually blowing up sections of an important, historical city, ha ha. No wonder she was missing her treasure basement in the third game. ❤

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And last but not least, the sunset I mentioned. ❤ And in the next level it’s already night.

I wonder why this level was called Bartoli’s hideout since I think the opera house after this level is the actual hideout?

Tomb Raider II: Venice

I’ve been feeling anxious the entire week and today it got so bad that for the whole day I felt as if I had a knot in my stomach and throat. So I figured I’d do a post on my best girl to destress, ha ha. And it’s been a while since I’ve managed to do one of these anyway.

Venice has always been one of my favourite levels because of all the water. And I guess that’s why Tomb Raider II is one of my favourite Tomb Raiders, come to think of it. Because it has a lot of water levels.

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Besides, it just looks pretty even with the ’90s graphics. Well, except in my screenshots but what can you do.

As an aside, awning and skybridge are some of the words that totally trip me up in Finnish. I never remember what awning is in Finnish (markiisi or ulkokaihdin) and I don’t even know if skybridge has a Finnish equivalent (can’t find it in wikipedia or dictionary but literally translated it would be “taivassilta”). So I’m like, I know what this word is in English and I know exactly what it means and I try to fumble through the explanation in Finnish, and then my dad’s just, “What the hell are you talking about?” Ha ha. Communication is hard, okay?

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So pretty. ❤

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DEATH TO ALL THE GONDOLAS!

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I managed to get a shot of Lara’s swan dive too. ❤ (Or at least I think it’s a swan dive but I’m not a dive expert. You would not get me to jump off any high places willingly.)

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This is the last part of the level. Basically, you have to either race through the gate before the timer runs out or you can cheat by not triggering the timer in the first place. Obviously, I always choose race, ha ha. ❤

If you play as an action girl, why not choose action, right?

Tomb Raider II: Great Wall of China

Another low-effort Tomb Raider post because I actually like these games and Lara is my favourite female character.

Also, I tag this as “let’s play” but honestly I don’t think I can summon up the energy or effort to make them a proper let’s play so… I’ll just ramble about Lara instead, ha ha.

The first level starts with a short cutscene to show Lara getting there.

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Still not the prettiest-looking screenshots but, alas. The area also looks curiously deserty but maybe it’s just the graphics? Or maybe she is in some deserty part of the wall since, well, it is long.

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She goes into a cave that takes her beneath the wall, I presume, and then from there makes her way to the top of some old ruined part of it.

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She goes through a few doors and deathly traps and ends up on the edge of an underground valley where she finds a tyrannosaurus rex again.

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Well, it looks kind of small in the picture but it’s that blob to her right. But another poor dinosaur that survived millions of years in isolation beneath China and then Lara came along and shot it and its mate. Bad luck, that is.

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She’s so pretty. ♡

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She gets ambushed by this man who is a member of the Fiamma Nera cult, basically the main antagonist in this game. They’re looking for the Dagger of Xian, which grants enormous powers to the one who wields it: in other words, it turns the wielder into a dragon. And it’s not so much a “wielder” as it’s the “moron who stabs it into his heart”.

Lara disarms the thug and they start chatting. Here are a few classic lines from my favourite dork:

LARA: Pardon me if that was just your way of trying the doors for me.

LARA: So indulge me about the dagger. I’d be indebted with your life.

The thug takes out a flask, toasts Marco Bartoli, the leader of the cult, and poisons himself to death — after revealing some rather pertinent information. But hey, I guess thugs aren’t hired for their brains. Lara takes a look at his laptop and finds out her next target: Gianni Bartoli. Via Caravelli, Venice.

Tomb Raider II: Home

I’m too tired to make a Harry Potter post today so here’s a low-effort Tomb Raider II post instead.

Tomb Raider II starts with a cutscene of ancient — China, I think? Yeah, I’m pretty sure that’s the Great Wall of China. A secret monastery of monks is battling an army with a green dragon. The dragon is gobbling and burning the monks to a crisp left and right until one of the monks pulls a dagger out of its heart.

It’s honestly kind of hilarious because the monk’s expression makes it look like an accident — like “oh hey, what’s this?” *pulls it out* — rather than a planned move, ha ha. I’d show a screenshot but honestly, I didn’t get a proper screenshot of his expression and the screenshot looks kind of bad anyway, what being almost thirty years old and rather blurry.

So the dragon dies and turns back to — whoever? And the army is probably vanquished and scattered, and the scene ends with the monks taking the dagger to some secret room with a pedestal that has a dragon’s head on it. They shove the dagger in, cue in mysterious purple mist, and the dragon’s spirit probably killing the monks.

So: ancient armies, monks, a mystical dagger. Easy enough to follow.

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As in the first game, you can start at Lara’s home which also works as a tutorial level. It’s a fun, easy way to introduce the game mechanics to the player without imposing it.

The home section starts at the new obstacle course outside. Lara says she had it installed to train and because of the “nasty business last year”, and I knew she’d say that before she did. It was a nice bit of continuation and characterisation. I don’t know what’s the fastest time for the obstacle course but I did it in 1 minute and about 30 seconds. After Lara said, “that was my fastest time yet” and I was like, “I bet you say that to all the girls, Lara”.

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The old man with the tray is the butler, Winston. Many a player has locked the poor man into the meat locker in Lara’s kitchen and I have to say I did too when I was a kid, ha ha. He was just so creepy when I was a kid but now I feel sorry for him. He seems a little senile what with tottering after Lara with the tea and I’m pretty sure he flatulates? But maybe I’m mistaking the sound? Interestingly, they made him younger in Tomb Raider V: Chronicles.

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Lara’s treasure vault. She no longer has it in the third game and it’s my headcanon that she used it to pay for repairs in Venice and China. I mean, in Venice Lara takes other people’s boats for joyrides, blows up mines and abandoned houses, breaks every gondola, and shoots all the glass. Or at least I do as her. It’s like a compulsion. There’s shootable glass, you shoot it. I don’t remember all she did in China, but I certainly remember her blowing up a section of the wall, ha ha.

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The training mat is gone from the music room, ha ha. And I’m pretty sure her bedroom is now on the other side of the house.

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The prettiest room in the house is the pool, though.

People say that the original Tomb Raiders look terrible whereas I’m like, “but they look so pretty, though?”

I mean, these were released in the nineties. As much as it pains me to say this, they do look lovely for something from that era.

This is obviously not an exact comparison but thinking that everything except hyperrealistic graphics is terrible is basically the same as thinking that only one style of painting is valid.

The screenshots look kind of funny; probably because I couldn’t take in-game screenshots and instead I had to make do with windows screenshots.

Nightmare in Vegas (1999)

Yesterday I finished the bonus levels in Tomb Raider II: Golden Mask. I wasn’t even aware that these existed until recently, but now I finally know what happens to the mythological and extinct beasts Lara fells.

She sells them to Vegas. Oh my god, she’s the funniest fictional woman I know. She’s awesome.

And then they replaced her with that sociopathic wet blanket who’s indestructible just so they could heap abuse on her in graphic detail as if they were doing a snuff film. *massive eye roll*

As an aside, one of the biggest misrepresentations of her character is that she’s an archaeologist. She isn’t, not even in the original games. She’s a grave robber doing it for the thrills and shiny trinkets. Clearly she’s a woman after her own heart. ♡